The tickets are bought and paid for. In late March,
barring the unforeseen, I’ll be off to Cuba. Usually I don’t swot up
enough on the places I go to. This time, I’m trying harder. I’ve read a general
history of Cuba. I’m reading the background sections of a guidebook (the Insight
guide seems pretty good). Some interesting economic insights came from research
I had to do some years ago when involved editorially with a book on a US bank,
which had a history in pre-Castro Cuba connected with the sugar industry.
Over the last day or two I’ve got hooked on old
travelogues, promotional films for tourists made in the 1950s and earlier. And
I’ve been comparing the ones on Cuba with those about another island, the place
where I happen to live – Singapore.
The fantasies they conjure up are not the same, and
yet …
Both places are islands, Singapore very close to the equator, Cuba a bit further north. Cuba, a lot bigger, is ‘a tropical island with a short but eventful history, where the past is ever-present.’ The beaches offer 'luxury and laziness'. Singapore is a ‘teeming, varied island’. ‘Where else in the whole wide world’, the commentator asks, ‘can be found such variety, such contrast?’
The films tend to make only brief and tactful
reference to colonial history. Cuba has been touched by ‘Spanish, English and
US influence’ (understatement?). Columbus, pirates and the Spanish American War
get an occasional look in. Singapore has Stamford Raffles as its founder, a
scholar of Malay civilisation with very advanced ideas on the cultural
interchange between east and west. (Well, up to a point … ) Colonialism in
Singapore is represented by its reassuring ‘Britishness’. Surprisingly for the
1950s, a time of political ferment, in neither case is there much, or any,
reference to the forces of anti colonialism.
The Capitol and Hotel Inglaterra, Havana. The Capitol was built in 1929.
|
Such films always seem to start with ‘arrival’:
ships are shown steaming into Cuba against the backdrop of the Morro fortress.
In Singapore, less impressively, one film shows a BOAC Super Constellation
arriving at the old Paya Lebar airport, where the immigration official says
heartily, ‘Have a good time! Can’t fail in Singapore.’ In earlier times, many
tourists would have arrived at Clifford Pier, with the Bund-like buildings of
Collyer Quay as the backdrop.
The former Supreme Court, Singapore, completed in 1939. |
All the films stress the attractions of the hotels.
In Singapore, they are ‘luxurious, romantic and comfortable’. No danger of
cockroaches or lizards, it seems. Here, the iconic hotel is Raffles. In Cuba,
it is the Hotel Nacional, much bigger, more Americanised.
For the visitor, both places are heady cocktails of
old and new.
Cuba is ‘one of the most modern and colourful
cities in the world’, with clean streets ‘lined with fine shops’, impressive
monuments and civic buildings. At the same time it has a double face. ‘The
modern world is superimposed on an ancient Spanish city’, characterized by
siesta, horses and carts among the gas-guzzling Detroit iron, exotic fruits and
vegetables, all presented to the accompaniment of exciting, rhythmic, Latin
music. As we are told, ‘the past is ever-present.’ The films show a reassuring
blend of sunshine, modernity, and just enough exotically foreign-looking people
and Spanish colonial architecture to make you feel your trip was
worthwhile.
You don’t learn much about the everyday lives of
actual Cubans, except that in some areas the workers on the sugar plantations
‘stlll use the old harvest methods, as they have for the past few centuries’.
No mention of poverty or exploitation.
The possibilities of Cuba are exciting, without
being quite spelled out: ‘At night, the city takes on a new complexion.’
(Visitors are kept oblivious to the fact that the casinos, drug, abortion and
prostitution rackets were run mostly by American criminal interests.) And, from
time to time, ‘Cubans young and old’ enjoy a ‘fun-filled carnival’.
As for Singapore: ‘Perhaps it’s at night that this
polyglot city comes most alive. When the lights come up, there every kind of
entertainment to tempt you out, and every kind of eating – and dancing!’ The
rather decorous ballroom/nightclub-style dancing shown in one film looks very
tame compared to what was probably on offer in Cuba, although in those days,
even Singapore had its possibilities if you knew where to go. Indeed, as we are
told, it is ‘a city that never sleeps’.
Raffles Hotel, Singapore, around 1960
|
Like Cuba, Singapore also has a double face, or
even multiple faces. ‘All the crush and tumble of the East are [sic] found side
by side with luxurious living.’ Much is made of the cultural and ethnic
diversity. ‘Where else in the whole wide world can be found such variety, such
contrast? … A fair city of towers and spires, of minarets and domes, of ancient
symbols and sacred creatures. Here is the world in miniature, a city proud to
find room for so much, taking its character from the peoples it shelters.’
Then, as now, the streets were reassuringly clean.
For Singapore, announces one commentator, is ‘the
crossroads of the world’. In other films it’s the crossroads of the East. Or
the Gibraltar of the East. Whatever. At any rate, here ‘two oceans meet and the
flags of every nation flutter’.
For American tourists in the fifties, Cuba offered a dash of tropical glamour less than a hundred miles from the American coast. You had to travel a lot further to get to Singapore. But it’s interesting to see how both were presented to visitors as exotic, romantic, and yet reassuringly familiar and safe. Strictly no politics.
After 50 years of the Castro regime, it’ll be
interesting to see what charms Cuba has to offer. The cars are the main thing.